BLOG 179
“How would I know; why should I care?”
(The Zombies, “She’s Not There” 1965)
We’ve had the hottest fall in Hawai’i in living memory. Earlier this week we were met, finally, by mushroom-worthy rain, with humidity that condensed on my sunglasses, while the windows of our cottage fogged up like those of an indoor swimming pool. Now after a morning of heavy showers, the rain has abated and I sit limply surveying the soggy grass and dripping trees. Hard to get inspired when the humidity reads 74% in 28C degree temps. (Even though I’m in the States my watch “speaks Canadian”).
A short nap finds the sky a cloudless blue, with a gentle breeze mitigating the humidity. This radical shift in the weather reminds me of Joan Didion’s “Life changes in a heartbeat.” Try as I might to remember that sentiment, and to be exceedingly grateful for even the uneventful times of my life, I’m guilty of taking many things for granted, even to the point of complaining when things don’t exactly go my way. Or is it “don’t go exactly my way”? How easy it is to become entitled and jaded. Complacent in my sense of superiority.
So what, then, is the antithesis of complacency?
The first thing that came to mind was a snippet of the Zombies’ song: “How would I know, why should I care?” A part of me wanted to shirk the responsibility of thinking independently vs mechanically following the crowd like sheep. As I googled the lyrics to refresh my memory, I was struck by the name of the recording group: the Zombies. How fitting! Though not what the song is about, my immediate reaction was to associate complacency with the dead-eyed mindlessness of the fictional zombies. Without necessarily registering it, one can easily drop into a state of mechanicalness such as I quoted from Thomas Merton in last week’s blog.
For whatever reason, it is seeming more urgent that I define for myself what gives my life purpose and meaning.
Being long since “relieved” of all that is involved in creating a home and raising a family, and determined not to live vicariously through the aforementioned progeny, I find myself casting about for ways to justify my existence. This perhaps explains why I was so drawn to the essay on modern sannyas that offered an alternative view not only of this “retiree” stage of life, but also a commentary on what drives the engine of western society in its entirety. Unless one is fortunate enough to travel, or at least read and study extensively, one is at the mercy of the prevailing “group think” of cultural conditioning.
Hillevi Ruumet, in her helical model of psychospiritual development, describes this developmental stage, calling it the Apotheosis (or pinnacle) of the Ego:
“…our goal becomes whatever our culture defines as “success”. The social skills learned through relationships are now placed in the service of power goals. We learn to compete and measure our worth through our win/lose balance sheet”..and…”Western civilization, with its flaws and achievements collectively reflects this developmental center, while other societies around the world are rushing to catch up.”
It usually takes a traumatic event, such as Didion’s sudden widowhood, to shake us out of this stage and move from our myopic, self-serving focus (aka ego) to a broader view of humanity and our purpose on the planet. The shift begins, according to Ruumet, “as the limits of Ego and its version of power are reached, for example, through mid-life disillusionment with the things that were supposed to guarantee happiness.”
With any luck, we will be “met” at this turning point, with other definitions of success. And these, in turn, may help steer us to a new freedom, the freedom of the sannyasin, who is no longer attracted to the bright shiny objects, the fool’s gold that the ego has promoted.
This new independence of thought and action is the antithesis of the mind-numbed complacency of the social “zombie”.
Just in time for Hallowe’en!
